William Faulkner s A Rose For Emily - 1682 Words

Lisa Lyons Professor Amy Green Writing about Literature COM1102 Oct. 06, 2015 William Faulkner s A Rose for Emily is a short story that has also been adapted into a short film; both have been largely debated. Faulkner’s lack of a normal chronology and situation-triggered memories generates a story that has many understandings among its readers, but surprises everyone at the end. When asked about the title of his story, Faulkner said, [The title] was an allegorical title; the meaning was, here was a woman who had had a tragedy, an irrevocable tragedy and nothing could be done about it, and I pitied her and this was a salute . . . to a woman you would hand a rose. (Faulkner, William 1966 ;) He gave a humble explanation, for such a complex story. Death and transformation are the main theme in Faulkner’s short story, being a sign of the crumbling of the Old South after their military defeat by the North, as Emily’s suggested necrophilia echoes the desire to hang on to the past and its traditions. Through flashbacks and foreshadowing, Faulkner addresses the struggle of traditional versus progress in Jefferson, the south being a region bound by history and tradition, class and social influence. Emily represents to generations before and after her old South nobility. Even the town s people are having a hard time letting go of old southern societal ideals. Their obsession with Emily and her family is a sign of society s way of holding on to these old values. The narratorShow MoreRelatedWilliam Faulkner s A Rose For Emily951 Words   |  4 Pagesliterary Response to â€Å"A Rose for Emily† â€Å"A Rose for Emily† by William Faulkner was published in 1930. This short story is set in an old southern town. I believe that this and several other combinations of events are what made the main character Miss Emily go insane. Miss Emily was an old school southern woman trapped in a modernizing society. She tried desperately to keep to her old ways, but the changes that happened around her were inevitable. This made me feel like something was going to goRead MoreWilliam Faulkner s A Rose For Emily1316 Words   |  6 Pagesminuscule detail in the writing. In order to fully enjoy William Faulkner’s â€Å"A Rose for Emily† readers must do the latter. Faulkner is a witty writer; some symbols are less obvious than others in his writing. To fully appreciate and obtain full meaning of the text readers must pay attention to his symbols and how they contribute to the greater theme. William Faulkner uses symbolization in â€Å"A Rose for Emily† to develop a theme of personal struggle. Emily faces many personal struggles: her relationship withRead MoreWilliam Faulkner s A Rose For Emily1181 Words   |  5 Pages Is William Faulkner s A Rose for Emily iconic American literature? Faulkner uses setting, theme and plot to show the ways â€Å"A Rose for Emily† is an iconic American literature. Faulkner saw the Forum magazine with his short story he wrote, â€Å"A Rose for Emily† and found out that was his first national publication. The Mississippi Writers Page says, â€Å"The man himself never stood taller than five feet, six inches tall, but in the realm of American literature, William Faulkner is a giant† (MWP). Read MoreWilliam Faulkner s A Rose For Emily1528 Words   |  7 Pagespoint of view is A Rose for Emily told? Why? In William Faulkner s short story A Rose for Emily the reader is given the account of an old woman who is rejected by society. The reader is acquainted with Miss Emily Grierson by a spectator, somebody who is not Miss Emily, but rather part of the town that rejects her. The storyteller has a somewhat omniscient perspective, knowing more than the normal town s individual, however not all that matters there is to think about Miss Emily. The storytellerRead MoreWilliam Faulkner s A Rose For Emily1801 Words   |  8 Pages William Faulkner is known for his many short stories, however, many has wondered what has influenced him in writing these stories. Like his well known, most famous short story â€Å"A Rose for Emily†, which has always been compared to â€Å"Barn Burning†, one of Faulkner’s other short story. It only make sense to compare them two together because these two stories has may similarities , whether it may be in setting , characters or style they favor each other . Nevertheless they also have many differencesRead MoreWilliam Faulkner s A Rose For Emily957 Words   |  4 PagesBereavement While a â€Å"Rose for Emily† by William Faulkner and â€Å"A Good Man is Hard to Find† by Flannery O’Connor share the common themes of unexpected death and the old south, the murders found in each story are vastly different. Both stories tell of strong female protagonists who don’t cope well with change and both foreshadow death right from the beginning, but the murderers themselves come from completely different worlds. Emily Grierson of â€Å"A Rose for Emily and the grandmother in â€Å"ARead MoreWilliam Faulkner s A Rose For Emily879 Words   |  4 Pagesare both similar due to how these emotions cause a human to act irrationally. The lone woman in A Rose for Emily and the cashier, Sammy, in A P both portrayed a greater sense of hate which overcame their love. We as humans, capable of powerful emotion typically act too quickly to even understand the consequences of our actions. One prime example is portrayed in William Faulkner’s A Rose for Emily, Emily loved Homer tremendously, however he did not feel the same way †he liked men, and it was knownRead MoreWilliam Faulkner s A Rose For Emily854 Words   |  4 Pages Literary Response to â€Å"A Rose for Emily† â€Å"A Rose for Emily† by William Faulkner was published in 1930. This short story is set in an old southern town. I believe that this and several other combinations of events are what made the main character Miss Emily go insane. Miss Emily was a old school southern woman trapped in a modernizing society. She tried desperately to try and keep to her old ways, but the changes were inevitable. This made me feel like something was going to go wrong very early inRead MoreWilliam Faulkner s A Rose For Emily1810 Words   |  8 Pages William Faulkner is one amazing writing ,who is known for his many short stories .However, many has wondered what has influenced him in writing these stories . Like his well known, most famous short story â€Å"A Rose for Emily†, which has always been compared to â€Å"Barn Burning†, one of Faulkner’s other short story. It only make sense to compare them two together because these two stories has may similarities , whether it may be in setting , characters or style they favor each other . NeverthelessRead MoreWilliam Faulkner s A Of The Sky And A Rose For Emily1540 Words   |  7 Pagesgeneral has affected all societies in all time periods, and reading is more than just an everyday task. These two authors affected society in their time, with their reappraising stories: A Horseman In The Sky and A Rose For Emily. However, William Faulkner (author of A Rose For Emily) and Ambrose Bierce (author of A Horseman In The Sky) have different views and affects on so ciety by when the particular story was published, the use of figurative language, and different genres. Back in the time of

The Pros And Cons Of Gay And Lesbians - 1447 Words

Most people believe that they deserve the rights they are granted by the government. An upstanding citizen who pays their taxes, serves their community and abides by the law should be afforded the rights of an American. However, not all citizens are afforded equal rights. Gay and lesbians are consistently denied rights that are typically taken for granted by the average American. Specifically, gay and lesbians couples are denied the right to marry even if they are upstanding citizens. They are held at an unfair disadvantage solely because of their sexual orientation. This discrimination must stop because gay and lesbian couples are law-abiding citizens too, who should be afforded the same rights as heterosexual couples. One common†¦show more content†¦The ones who suffer the greatest repercussions of such prejudices are the children of gay and lesbian couples. Non-biological children of gays and lesbians cannot receive survivor benefits if the deceased partner did not legally adopt them. But how is this related to whether or not homosexuals should be allowed to marry? Same-sex couples do have the privilege of adopting children to begin a family of their own. However, they are often rejected because of their unmarried status. Even if the government does not wish to provide some financial security for homosexual couples, it should not punish the children of such relationships. The government directly discriminates against the children of same-sex marriages by not allowing them the same rights as children who have heterosexual parents. Children do not chose who their parents are regardless of your stance on the issue. The Human Rights Campaign has adopted the idea that, â€Å"any change mu st also define survivor to include non-biological children of gays and lesbians found in the changing American family† (Survivor Benefits 2). This is absolutely necessary because it is absurd that innocent children are being denied basic rights due to the sexual orientation of their parents. Death is a painful enough experience; nobody should not have to worry about their financial standings with the government after dealingShow MoreRelatedEssay on The Pros and Cons of Gay Marriage1019 Words   |  5 Pagesin many countries. Leaders punish their own citizens by jail, or even death, for being gay. In the United States, however, many states allow gay marriage. Some people approve of it, but also, some do not. Society also plays a big part in the gay marriage legalization process. Same-sex marriage is a major controversial issue in the United States; specific examples would be the views of Americans, pros and cons of same-sex marriage, and the reality of it in the United State s. The views of AmericansRead MoreThe Pros and Cons of Gay Marriage1370 Words   |  6 PagesThe Pros and Cons of Gay Marriage LP 3: Argumentative Essay Patty Waters NAU Composition II Sue Cochran, Instructor Sunday, March 24, 2013 Abstract This essay covers the pros and cons concerning gay marriage. You will discover some new laws and amendments that are about to happen in our country, and some things that people are against. There are many issues that will be covered from rights and benefits to getting married legally. You will read reports, stories and articles from lawyersRead MoreGay Marriage Should Be Legal1810 Words   |  8 PagesA gay couple from Indianapolis who have waited to marry for years have been quoted as saying: â€Å"We re positive because the mindset in this nation seems to be that it is unconstitutional to say that our marriages are different from any other marriage.† (pro-con,1) This means that gay people are staying optimistic. Prohibiting gay marriage is considered discrimination to gays because the government is not giving homosexual couples the same rights as gay heterosexuals, which is also unconstitutionalRead MoreFemme Fatale - Original Writing1299 Words   |  6 PagesThese are some of the typical things your average femme lesbian prides herself on. These are some of the things I pride myself on. My appearance constitutes a large part of my identity and self image. I am your standard girl next-door, except, I am not waiting on that handsome athletic jock to hit on me, I m waiting on the other girl next-door to come swoop me off my feet and ride into the sunset with. As lesbians, we assume we have a certain amount of gaydar ingrainedRead MoreLegalizing Gay Marriage Essay examples1290 Words   |  6 Pageshas existed on this Earth, but the question is, what makes it so wrong? During my research I have yet to find a legitimate reason as to why homosexuality is so wrong. With homosexual relationships, comes the question about homosexual marriage. Should gay marriage become legal in all fifty United States, or should it stay illegal in some states and remain legal in others? Most of society’s issues and controversies come forth when subjects like religion, the home life, and values are discussed. The realRead MoreSynthesis Essays1243 Words   |  5 PagesGay/Lesbian Families Adoption is an extremely sensitive subject,(insert dash) especially for individuals who are Gay or Lesbian. There is much controversy on the topic. There are a variety of ways to which it isn’t possible for a couple to adopt. Infertility is becoming a greater problem in our time. In Gerald P. Mallon’s article, â€Å"Assessing Lesbian and Gay Prospective Foster and Adoptive Families: A Focus on the Home Study Process,† in 2007. He introduces a few different ways gay men and lesbianRead MorePros and Cons of Same Sex Marriage1734 Words   |  7 PagesPros and Cons of Same Sex Marriage Jasmaine Joseph April 19, 2013 Final Grade Same sex marriage is when two people with the same gender get married. Most people label it as homosexual, gay or lesbian marriage. Allowing same gender couples to legally marry is considered to be one of the most important of all  LGBT rights. Same sex marriage isn’t hurting anyone, personal I don’t have a problem with it. People should love and be able to marry anyone they please. America isRead MoreEssay on Gay Marriage 1616 Words   |  7 Pages Gay marriage is a very talked about topic in are country that shouldn’t be ignored. I believe men and women should be able to love freely and not be shamed by it. Marriage is a great factor in the United States. To some people it’s what we live for; is to get married and start a family. To not give everyone the same opportunity to have a happy marriage and family is unlike us. This problem is bringing a lot of hate, the same hate that was used in racial discrimination so why not give gays equalRead MoreThe D ebate on Homosexuals Adopting Children Essay1086 Words   |  5 Pagesmarriage? Does it make the child happy? Some people say it’s better for a child to be in a gay marriage home than in foster care homes. In the other hand, other people say that it’ll affect children mentally and will be raised in the wrong way. In an online blog, Alpen Gideon describes the discussions people have over homosexual marriages adopting children. One of the discussions is that the child could become gay for being raised by a homosexual marriage. Parents are the role models that the childrenRead MoreShould Same Sex Couples Be Allowed to Adopt?954 Words   |  4 Pageshomosexuality will influence (Marquardt), the children into becoming gay but that only seems to be a form of someones opinion instead of a fact.There are logical explanations to allow gays to adopt, but the main issue is, what the best interest is for the child involved in the situation. A plethora of people have come to the conclusion that gays have it better (Cooney), than everyone else that is not necessarily true. Gays are constantly assaulted and bullied every single day because of sexual

Night World Huntress Chapter 12 Free Essays

Jez kept one hand on the kid as they walked up the stairs under the dirty fluorescent bulbs. She could only imagine what Iona must be thinking as they shepherded her to the top. They came out on the roof into slanting afternoon sunlight. We will write a custom essay sample on Night World : Huntress Chapter 12 or any similar topic only for you Order Now Jez gave Iona’s shoulder a little squeeze. â€Å"See-there’s the garden.† She nodded toward a potted palm and three wooden barrels with miscellaneous wilted leaves in them. Iona glanced that way, then gave Jez a sober look. â€Å"They’re not getting enough water,† she said as quietly as she said everything. â€Å"Yeah, well, it didn’t rain enough this summer,† Morgead said. â€Å"You want to fix that?† Iona just looked seriously at him. â€Å"Look, what I mean is, you’ve got the Power, right? So if you just want to show us right now, anything you want, be my guest. It’ll make things a lot simpler. Make it rain, why don’t you?† Iona looked right at him. â€Å"I don’t know what you’re talking about.† â€Å"I’m just saying that there’s no reason for you to get hurt here. We just want to see you do something like what you did the night of the fire. Anything. Just show us.† Jez watched him. There was something incongruous about the scene: Morgead in his high boots and leather jacket, iron-muscled, sleek, sinewy, on one knee in front of this harmless-looking kid in pink pants. And the kid just looking back at him with her sad and distant eyes. â€Å"I guess you’re crazy,† Iona said softly. Her pigtails moved as she shook her head. A pink ribbon fluttered loosely. â€Å"Do you remember the fire?† Jez said from behind her. â€Å"Course.† The kid turned slowly around. â€Å"I was scared.† â€Å"But you didn’t get hurt. The fire got close to you and then you did something. And then the fire went away.† â€Å"I was scared, and then the fire went away. But I didn’t do anything.† â€Å"Okay,† Morgead said. He stood. â€Å"Maybe if you can’t tell us, you can show us.† Before Jez could say anything, he was picking up the little girl up and carrying her. He had to step over a line of debris that stretched like a diagonal wall from one side of the roof to the other. It was composed of telephone books, splintery logs, old clothes, and other odds and ends, and it formed a barrier, blocking off a corner of the roof from the rest. He put Iona in the triangle beyond the debris. Then he stepped back over the wall, leaving her there. Iona didn’t say anything, didn’t try to follow him back out of the triangle. Jez stood tensely. The kid’s a Wild Power, she told herself. She’s already survived worse than this. And no matter what happens, she’s not going to get hurt. I promised her that. But she would have liked to be telepathic again just for a few minutes, just to tell the kid one more time not to be scared. She especially wanted to as Val and Raven poured gasoline on the wall of debris. Iona watched them do it with huge sober eyes, still not moving. Then Pierce lit a match. . The flames leaped up yellow and blue. Not the bright orange they would have been at night. But hot. They spread fast and Jez could feel the heat from where she was standing, ten feet away. The kid was closer. She still didn’t say anything, didn’t try to jump over the flames while they were low. In a few moments they were high enough that she couldn’t jump through them without setting herself on fire. Okay, Jez thought, knowing the kid couldn’t hear her. Now, do it! Come on, Iona. Put the fire out. Iona just looked at it. She was standing absolutely still, with her little hands curled into fists at her sides. A small and lonely figure, with the late afternoon sun making a soft red halo around her head and the hot wind from the fire rippling her pink-trimmed shirt. She faced the flames dead-on, but not aggressively, not as if she were planning to fight them. Damn; this is wrong, Jez thought. Her own hands were clenched into fists so tightly that her nails were biting into her palms. â€Å"You know, I’m concerned,† Pierce said softly from just behind her. â€Å"I have a concern here.† Jez glanced at him quickly. Pierce didn’t talk a lot, and he always seemed the coldest of the group-aside from Morgead, of course, who could be colder than anyone. Now Jez wondered. Could he, who never seemed to be moved by pity, actually be the most sensitive? â€Å"I’m worried about this fire. I know nobody can look down on us, but it’s making a lot of smoke. What if one of the other tenants comes up to investigate?† Jez almost hit him. This is not my home, she thought, and felt the part of her that had sighed and felt loved and understood wither away. These are not my people. I don’t belong with them. And Pierce wasn’t worth hitting. She turned her back on him to look at Iona again. She was dimly aware of Morgead telling him to shut up, that other tenants were the least of their worries, but most of her attention was focused on the kid. Come on, kid! she thought. Then she said it out loud. â€Å"Come on, Iona! Put out the fire. You can do it! Just do what you did before!† She tried to catch the child’s eye, but Iona was looking at the flames. She seemed to be trembling now. â€Å"Yeah, come on!† Morgead said brusquely. â€Å"Let’s get this over with, kid.† Raven leaned forward, her long front hair ruffling in the wind. â€Å"Do you remember what you did that night?† she shouted seriously. â€Å"Think!† Iona looked at her and spoke for the first time. â€Å"I didn’t do anything!† Her voice, so composed before, was edging on tears. The fire was full-blown now, loud as a roaring wind, sending little bits of burning debris into the air. One floated down to rest at Iona’s foot and she stepped backward. She’s got to be scared, Jez told herself. That’s the whole point of this test. If she’s not scared, she’ll never be able to find her Power. And we’re talking about saving the world, here. We’re not just torturing this kid for fun†¦. It’s still wrong. The thought burst out from some deep part of her. Jez had seen a lot of horrible things as a vampire and a vampire hunter, but suddenly she knew she couldn’t watch any more of this. I’m going to call it off. She looked at Morgead. He was standing tensely, arms folded over his chest, green eyes fixed on Iona as if he could will her into doing what he wanted. Raven and Val were beside him, Raven expressionless under her fall of dark hair; Val frowning with his big hands on his hips. Thistle was a step or so behind them. â€Å"It’s time to stop,† Jez said. Morgead’s head whipped around to look at her. â€Å"No. We’ve gotten this far; it would be stupid to have to start all over again. Would that be any nicer to her?† â€Å"I said, it’s time to stop. What do you have to put out the fire-or did you even think of that?† As they were talking, Thistle stepped forward. She moved right up to the flames, staring at Iona. â€Å"You’d better do something fast,† she shouted. â€Å"Or you’re going to burn right up.† The childish, taunting tone caught Jez’s attention, but Morgead was talking to her. â€Å"She’s going to put it out any minute now. She just has to be frightened enough-â€Å" â€Å"Morgead, she’s absolutely terrified already! Look at her!† Morgead turned. Iona’s clenched fists were now raised to chest-level; her mouth was slightly open as she breathed far too fast. And although she wasn’t screaming or crying like a normal kid, Jez could see the tremors running through her little body. She looked like a small trapped animal. â€Å"If she’s not doing it now, she’s never going to,† Jez told Morgead flatly. â€Å"It was a stupid idea in the first place, and it’s over!† She saw the change in his green eyes; the flare of anger and then the sudden darkness of defeat. She realized that he was going to cave. But before he could say anything, Thistle moved forward. â€Å"You’re gonna die!† she shrilled. â€Å"You’re gonna burn up right now!† And she began kicking flaming debris at Iona. Everything happened very fast after that. The debris came apart in a shower of sparks as it flew toward Iona. Iona’s mouth came open in horror as she found fiery garbage swirling around her knees. And then Raven was yelling at Thistle, but Thistle was already kicking more. A second deluge of sparks hit Iona. Jez saw her put up her hands to protect her face, then fling her arms out as a piece of burning cloth settled on her sleeve. She saw the sleeve spurt with a tiny flame. She saw Iona cast a frantic look around, searching for a way to escape. Morgead was dragging Thistle back by her collar. Thistle was still kicking. Sparks were everywhere and Jez felt a hot pain on her cheek. And then Iona’s eyes went enormous and blank and fixed and Jez could see that she’d made some decision, she’d found some way to get out of this. Only not the right one. She was going to jump. Jez saw Iona turn toward the edge of the roof, and she knew in that same instant that she couldn’t get to the child in time to stop her. So there was only one thing to do. Jez only hoped she would be fast enough. She very nearly wasn’t. But there was a two-foot wall at the roof’s perimeter, and it delayed Iona for a second as she scrambled onto it. That gave Jez a second to leap through the fire and catch up. And then Iona was on the wall, and then she was launching her small body into empty space. She jumped like a flying squirrel, arms and legs outspread, looking down at the three-story drop. Jez jumped with her. Jez! The telepathic shout followed her, but Jez scarcely heard it. She had no idea who had even said it. Her entire consciousness was focused on Iona. Maybe some part of her was still hoping that the kid had magic and could make the wind hold her up. But it didn’t happen and Jez didn’t waste time thinking about it. She hit Iona in midair, grabbing the small body and hanging on. It was something no human could have done. Jez’s vampire muscles instinctively knew how to handle this, though. They twisted her as she fell, putting her underneath the child in her arms, putting her legs below her like a cat’s. But of course Jez didn’t have a vampire’s resistance to injury. She knew perfectly well that when she hit, the fall would break both her legs. In her weakened state it might well kill her. It should save the kid, though, she thought unemotionally as the ground rushed up to meet her. The extra resiliency of Jez’s flesh would act as a cushion. But there was one thing Jez hadn’t thought of. The trees. There were discouraged-looking redbud trees planted at regular intervals along the cracked and mossy sidewalk. None of them had too much in the way of foliage even in late summer, but they certainly had a lot of little branches. Jez and the kid crashed right into one of them. Jez felt pain, but scratching, stabbing pain instead of the slamming agony of hitting the sidewalk. Her legs were smashing through things that cracked and snapped and poked her. Twigs and branches. She was being flipped around as some of the twigs caught on her jeans and others snagged her leather jacket. Every branch she hit decreased her velocity. So when she finally crashed out of the tree and hit concrete, it merely knocked the wind out of her. Black dots danced in front of her eyes. Then her vision cleared and she realized that she was lying on her back with Iona clutched to her stomach. Shiny redbud leaves were floating down all around her. Goddess, she thought. We made it. I don’t believe it. There was a dark blur and something thudded against the sidewalk beside her. Morgead. He landed like a cat, bending his knees, but nice a big cat. A three-story jump was pretty steep even for a vampire. Jez could see the shock reverberate through him as his legs hit concrete, and then he fell forward. That must hurt, she thought with distant sympathy. But the next instant he was up again, he was by her side and bending over her. â€Å"Are you all right?† He was yelling it both aloud and telepathically. His dark hair was mussed and flying; his green eyes were wild. â€Å"Jez!† Oh. It was you who yelled when I jumped, Jez thought. I should have known. She blinked up at him. â€Å"Of course I’m all right,† she said hazily. She tugged at the kid lying on her. â€Å"Iona! Are you all right?† Iona stirred. Both her hands were clutching Jez’s jacket in front, but she sat up a little without letting go. There was a burned patch on her sleeve, but no fire. Her velvety brown eyes were huge-and misty. She looked sad and confused. â€Å"That was really scary,† she said. â€Å"I know.† Jez gulped. She wasn’t any good at talking about emotional things, but right now the words spilled out without conscious effort. Tm sorry, Iona; I’m so sorry, I’m so sorry. We shouldn’t have done that. It was a very bad thing to do, and I’m really sorry, and we’re going to take you home now. Nobody’s going to hurt you. We’re going to take you back to your mom.† The velvety eyes were still unhappy. Tired and unhappy and reproachful. Jez had never felt like more of a monster, not even that night in Muir Woods when she had realized she was hunting her own kind. Iona’s gaze remained steady, but her chin quivered. Jez looked at Morgead. â€Å"Can you erase her memory? I can’t see any reason why she should have to remember all this.† He was still breathing quickly, his face pale and his pupils dilated. But he looked at Iona and nodded. â€Å"Yeah, I can wipe her.† â€Å"Because she’s not the Wild Power, you know,† Jez said levelly, as if making a comment about the weather. Morgead flinched. Then he shoved his hair back with his knuckles, his eyes shutting briefly. â€Å"She’s an extraordinary kid, and I don’t know exactly what she’s going to be-maybe President or some great doctor or botanist or something. Something special, because she’s got that inner light- something that keeps her from getting mad or mean or hysterical. But that’s got nothing to do with being a Wild Power.† â€Å"All right! I know, already!† Morgead yelled, and Jez realized she was babbling. She shut up. Morgead took a breath and put his hand down. â€Å"She’s not it. I was wrong. I made a bad mistake. Okay?† â€Å"Okay.† Jez felt calmer now. â€Å"So can you please wipe her?† â€Å"Yes! I’m doing it!† Morgead put his hands on Iona’s slender shoulders. â€Å"Look, kid, I’m-sorry. I never thought you’d-you know, jump like that.† Iona didn’t say anything. If he wanted forgiveness, he wasn’t getting it. He took a deep breath and went on. â€Å"This has been a pretty rotten day, hasn’t it? So why don’t you just forget all about it, and before you know it, you’ll be home.† Jez could feel him reach out with his mind, touching the child’s consciousness with his Power. Iona’s eyes shifted, she looked at Jez uncertainly. â€Å"It’s okay,† Jez whispered. â€Å"It won’t hurt.† She hung on to Iona’s gaze, trying to comfort her as Morgead’s suggestions took hold. â€Å"You don’t ever have to remember this,† Morgead said, his voice soothing now. Gentle. â€Å"So why don’t you just go to sleep? You can have a little nap†¦ and when you wake up, you’ll be home.† Iona’s eyelids were closing. At the last possible second she gave Jez a tiny sleepy smile-just the barest change of expression, but it seemed to ease the tightness in Jez’s chest. And then Iona’s lashes were lying heavy on her cheeks and her breathing was deep and regular. Jez sat up and gently put the sleeping child on the sidewalk. She smoothed back one stray pigtail and watched the little chest rise and fall a couple of times. Then she looked up at Morgead. â€Å"Thanks.† He shrugged, exhaling sharply. â€Å"It was the least I could do.† Then he gave her an odd glance. Jez thought of it at the same instant. She was the one so concerned about the child-why had she asked Morgead to wipe her memory? Because I can’t do it, she thought dryly. Out loud she said, â€Å"I’m really kind of tired, after everything that’s happened today. I don’t have much Power left.† â€Å"Yeah†¦Ã¢â‚¬  But his green eyes were slightly narrowed, searching. â€Å"Plus, I hurt.† Jez stretched, gingerly testing her muscles, feeling every part of her protest. The searching look vanished instantly. Morgead leaned forward and began to go over her with light, expert fingers, his eyes worried. â€Å"Can you move everything? What about your legs? Do you feel numb anywhere?† â€Å"I can move everything, and I only wish I felt numb somewhere.† â€Å"Jez-I’m sorry.† He blurted it out as awkwardly as he had to the child. ‘I didn’t mean †¦ I mean, this just hasn’t turned out the way I planned. The kid getting hurt-you getting hurt. It just wasn’t what I had in mind.† The kid getting hurt? Jez thought. Don’t tell me you care about that. But there was no reason for Morgead to lie. And he did look unhappy-probably more unhappy than Jez had ever seen him. His eyes were still all pupil, as if he were scared. I’m not hurt,† Jez said. It was all she could think of. She felt dizzy suddenly-uncertain and a little giddy, as if she were still tumbling off the roof. â€Å"Yes, you are.† He said it with automatic stubbornness, as if it were one of their arguments. But his hand reached out to touch her cheek. The one that had been hit by burning debris. It hurt, but Morgead was touching so lightly†¦. Coolness seemed to flow from his fingers, seeping into the burn and making it feel better. Jez gasped. â€Å"Morgead-what are you doing?† â€Å"Giving you some Power. You’re low and you need it.† Giving her Power? She’d never heard of such a thing. But he was doing it. She could feel her skin healing itself faster, could feel his strength pour into her. It was a strange sensation. It made her shiver inwardly. â€Å"Morgead†¦Ã¢â‚¬  His eyes were fixed on her face. And suddenly they were all Jez could see; the rest of the world was a blur. All she could hear was the soft catch in his breath; all she could feel was the gentleness of his touch. â€Å"Jez†¦Ã¢â‚¬  They were leaning toward each other, or falling. It was that silver thread between them, shortening, pulling. They had nothing to grab on to but each other. And then Morgead’s arms were around her and she felt his warm mouth touch hers. How to cite Night World : Huntress Chapter 12, Essay examples

Compare and contrast Jackie Kays presentation Essay Example For Students

Compare and contrast Jackie Kays presentation Essay ‘Yellow’, by Jackie Kay, is a poem where Kay remembers her deprived childhood, linking many of her memories to the colour yellow. ‘Brendon Gallacher’, another poem by Jackie Kay, is a poem where Kay recalls the death of her imaginary friend. Both poems explore aspects of Kay’s childhood in very similar yet illustrative fashion.  In ‘Yellow’, Kay utilises a negative and depressing tone to convey the desperate situation that her family was in and, also, she opts not to use a rhyme scheme in order to portray the lack of liveliness in her childhood. The poem’s acoustics display more sadness especially when Kay’s mother ‘weeps’ creating the impression of a tearful experience, thus further emphasising the sadness in Kay’s own childhood. Meanwhile, in ‘Brendon Gallacher’, Kay uses a contrasting tone to convey the change in her feelings. The first three stanzas have a bright and cheerful tone which shifts to a depressed one in the final two stanzas, resembling her sadness at the death of Brendon. The poem’s acoustics appear like pleading with Kay’s constant repetition of ‘my Brendon Gallacher’. As in ‘Yellow’, Kay does not utilise a rhyme scheme again. In both poems, it is obvious from the poignant acoustics and lack of rhyme that there is dullness engulfing her childhood. The reader first catches sight of Kay’s poor relations with family members in ‘Yellow’. Kay’s expert use of direct speech is vital to portray the members of her family: ‘Now look here Comrade!’; ‘Not listening’; and ‘Don’t be fussy!’ The direct speech is essential to accurately capture the personalities of her seemingly rude and distant family. She doesn’t get on well with her father, aunt and brother; only with her mother. Further implications of her tarnished childhood emerge in ‘Brendon Gallacher’. Kay’s constant repetition of ‘my Brendon Gallacher’ suggests that she is infatuated with him. However, the very need to invent such a figure, as well as her childlike state, could be a result of loneliness. Again, this links with ‘Yellow’ where the reader is given first hand coverage of the tensions in her family. It is obvious from both poems that Kay was deprived of the stereotypical family life that a child deserves during childhood. Both poems illustrate the lack of a father for Kay. In ‘Brendon Gallacher’, Kay depicts Brendon with details that resemble her, claiming that ‘his father was in prison’. By displaying this aspect of Brendon’s life, the reader is elucidated to the symbol that it is her father who is confined elsewhere, not in a literal sense, but from her. In ‘Yellow’, Kay’s father appears briefly and he ‘barks at cowardly comrades’. The alliteration puts emphasis on the word ‘comrade’ implying some sort of Communist association. Kay verifies this in ‘Yellow’ – describing her dad as a ‘communist party full time worker’. Without her father, yet again the reader can sense solitude with only her mother repeatedly there for comfort.  In both ‘Yellow’ and ‘Brendon Gallacher’, Kay presents childhood very similarly: it is grim and lonely but, more worryingly, her mind appears disturbed, summarised by the sombre simile: ‘Two white sweet pickled onions stare like blind eyes.’ The simile mirrors Kay herself – a blind child whose sensation of childhood has vanished.